More information:

It`s a Great Feeling / Tea for Two / April in Paris / The Tunnel of Love / Starlift

April in Paris (1952)

Doris Day and Ray Bolger star in this musical bonbon highlighted by the Vernon Duke/E.Y. Harburg title tune and a high-kicking, bell-ringing rendition of the Jule Styne/Sammy Cahn I’m Gonna Ring the Bell Tonight. Day is pure TNT as Dynamite Jackson and Bolger’s rubbery comic artistry ideally complements her. He’s the stuffy bureaucrat who mismailed the Barrymore missive – and now has a stateroom full of explosives on his hands for a Paris-bound ocean voyage

It’s a Great Feeling (1949)

In her third film (and third with Carson), Doris Day plays that up-and-comer in a bright filmmaking spoof featuring melodic toe-tappers, real Hollywood and Warner Bros. back lot locales, star cameos (Gary Cooper, Joan Crawford, Edward G. Robinson, among others) and a surprise comedy finale.

Starlift (1951)

 Songs by the Gershwins, Cole Porter and more legendary composers plus a hilarious Western production number with  Gary Cooper whoopin’ it up as a steely Texas Ranger add to the patriotic fun.

Tea for Two (1950)

Doris Day is a sunny sensation in this flapper-era musical romp, with co-stars Gordon MacRae and Gene Nelson on hand to help provide songs, dance and romance. Eve Arden, Billy DeWolfe and S.Z “Cuddles” Sakall deliver lots of laughs, and the Gershwins, Vincent Youmans, Harry Warren and other Tin Pan Alley greats supply wonderful melodies, including the title tune, Do, Do, Do, I Only Have Eyes for You, I Want to Be Happy and lots more.

The Tunnel of Love (1958)

Isolde (Doris Day) and Augie (Richard Widmark) Poole are trying to adopt a baby. Dick (Gig Young), the Poole’s neighbor, has advice for Augie during these challenging times: have an affair. (Of course, that’s Dick’s solution for everything). No way, says Augie. Then he wakes up in a motel room with no memory of the night before – and finds a thank-you note from the curvy caseworker who’s handling the Poole adoption! Gene Kelly’s lively direction, the stars’ comedy chops and the popular title tune highlight this sexy romp of the kind that made Day one of the world’s biggest movie stars of the ’50s and ’60s

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